Wind onshore 20.3 GW dominates the right two-thirds of the scene as dozens of tall three-blade turbines with white tubular towers and nacelles, blades visibly spinning in strong wind, receding in rows across dark rolling hills. Brown coal 7.4 GW occupies the left background as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the black sky, lit from below by orange sodium lights from an industrial complex. Natural gas 4.4 GW appears left-centre as a compact CCGT plant with twin exhaust stacks emitting thin heat shimmer, its metal structures illuminated by harsh floodlights. Hard coal 3.7 GW sits beside the brown coal facility as a smaller power station with a single tall chimney and conveyor belts faintly visible under industrial lighting. Biomass 3.8 GW is rendered as a mid-ground wood-chip-fed plant with a modest smokestack and warm amber-lit windows in a low rectangular building. Offshore wind 3.3 GW is suggested on the far-right horizon as a faint line of red aircraft-warning lights blinking above an unseen sea. Hydro 1.1 GW appears as a small dam spillway in the lower foreground, water faintly reflecting industrial glow. The sky is completely black and overcast at 04:00 — no moon, no stars, no twilight, no sky glow — a dense 100% cloud ceiling presses down heavily creating an oppressive, close atmosphere reflecting the high 139.1 EUR/MWh price. The warm 21°C late-summer night shows lush dark-green foliage on foreground trees, leaves rustling vigorously in 22 km/h wind. Foreground grass sways. The only illumination comes from sodium-orange and white-blue industrial lighting, glowing control-room windows, and red blinking aviation lights atop turbine nacelles. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, deep chiaroscuro contrasts, atmospheric sfumato in the steam plumes, meticulous engineering accuracy on every turbine nacelle, cooling tower profile, and exhaust stack — evoking Caspar David Friedrich's sublime darkness married to industrial precision. No text, no labels.