Wind onshore 19.5 GW dominates the right two-thirds of the scene as dozens of tall three-blade wind turbines with white lattice towers receding across rolling green hills into atmospheric haze; brown coal 7.1 GW occupies the left background as a cluster of massive hyperbolic cooling towers emitting thick white-grey steam plumes; natural gas 4.5 GW appears centre-left as compact CCGT plants with slender exhaust stacks venting thin vapour; hard coal 3.8 GW sits beside the lignite station as a smaller coal-fired plant with a tall brick chimney and coal conveyor; biomass 3.9 GW is rendered as a mid-ground industrial facility with a wood-chip stockpile and modest smokestack; wind offshore 3.1 GW is visible as faint turbine silhouettes on a distant grey sea horizon at the far right; hydro 1.2 GW appears as a small concrete dam with spillway in the lower-left foreground beside a river; solar 0.3 GW is essentially absent — no panels visible. Time is pre-dawn at 06:00 in late August: the sky is deep blue-grey with the faintest pale glow at the eastern horizon, no direct sunlight, all structures lit by sodium-orange industrial lighting and the dim ambient twilight. Complete 100% overcast: a low, heavy, unbroken ceiling of dark grey stratus clouds presses down oppressively, conveying the high electricity price. Temperature is mild at nearly 20°C: lush late-summer green foliage on deciduous trees, tall grass, wildflowers. Moderate breeze animates the turbine blades and bends tall grasses. The atmosphere is thick, humid, slightly hazy with industrial steam merging into the cloud base. Style: highly detailed oil painting in the tradition of Caspar David Friedrich and Carl Blechen — rich dark tonal palette of slate blues, warm oranges from artificial light, grey-greens in vegetation, dramatic atmospheric depth, visible confident brushwork, meticulous engineering detail on all turbine nacelles, cooling tower parabolic curves, conveyor structures, and CCGT exhaust assemblies. No text, no labels.