Brown coal 9.0 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with luminous steam plumes lit from below by sodium-orange industrial floodlights; wind onshore 16.7 GW fills the centre and right of the composition as dozens of tall three-blade turbines on lattice and tubular towers stretching across rolling hills, their red aviation warning lights blinking; wind offshore 5.2 GW appears in the far right background as a row of turbines standing in a dark sea visible on the horizon; biomass 4.3 GW is rendered as a mid-ground industrial facility with a tall smokestack and wood-chip storage dome, warmly lit; natural gas 3.9 GW sits as a compact CCGT plant with twin exhaust stacks venting thin heat shimmer, positioned near the coal complex on the left; hard coal 3.7 GW appears as a smaller conventional power station with a single large chimney and conveyor belts, illuminated by floodlights; hydro 1.3 GW is a small concrete dam structure in the mid-ground valley with water glinting under artificial light. The sky is completely dark — deep navy-black, 96% cloud cover creating an oppressive low ceiling with no stars, no moon, no twilight glow, only the reflected orange-amber haze of industrial lighting on the cloud base. Late summer vegetation: full dark-green deciduous trees and tall grass, barely visible in the gloom. The atmosphere is heavy and humid at 18.9°C, a faint mist curling around the cooling tower bases. Moderate wind animates the turbine blades and bends the grass. The overall mood is brooding and tense, reflecting high electricity prices. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, saturated colour palette dominated by deep indigo, coal-black, and warm amber-orange; visible expressive brushwork; atmospheric depth with layered fog and industrial haze; meticulous engineering accuracy on every turbine nacelle, cooling tower shell, and smokestack. No text, no labels.