Wind onshore 11.4 GW dominates the right half of the scene as dozens of tall three-blade turbines with white lattice towers arrayed across rolling dark hills, rotors visibly turning in moderate wind; wind offshore 4.1 GW appears as a distant cluster of turbines on a dark horizon line over a barely visible sea; brown coal 8.1 GW occupies the left quarter as massive hyperbolic cooling towers emitting thick pale steam plumes lit from below by sodium-orange industrial lamps; hard coal 4.2 GW sits adjacent as a smaller cluster of rectangular coal-fired boiler houses with twin chimneys trailing dark smoke; natural gas 4.3 GW appears as compact CCGT units with single tall exhaust stacks and a faint blue-white flare, positioned center-left; biomass 3.7 GW is rendered as a modest industrial facility with a woodchip storage dome and a single smokestack with thin white exhaust, placed in the mid-ground; hydro 1.0 GW appears as a small concrete dam with spillway in a wooded valley in the far background. The sky is completely black with dense 99% cloud cover — no stars, no moon, no twilight glow — a heavy, oppressive overcast pressing down on the scene to reflect the high electricity price. The only illumination comes from sodium streetlights casting amber pools along access roads, bright white industrial floodlights on the power plant structures, glowing control-room windows, and the orange underglow reflecting off cooling tower steam. Early autumn vegetation with dark green deciduous trees beginning to hint at yellowing edges, damp grass. Temperature around 14°C suggested by condensation and mist hugging low ground. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, dramatic chiaroscuro between deep shadow and warm artificial light, atmospheric depth with industrial haze, meticulous engineering detail on every turbine nacelle, cooling tower ribbing, and smokestack brickwork. No text, no labels.