Wind onshore 12.8 GW dominates the right half of the scene as dozens of three-blade turbines on lattice and tubular towers stretching across rolling dark hills, rotors turning steadily; wind offshore 3.6 GW appears in the far-right background as a cluster of turbines on the horizon above a faintly visible North Sea coastline. Brown coal 8.2 GW occupies the left third as massive hyperbolic cooling towers emitting thick white-grey steam plumes, lit from below by amber industrial floodlights, with conveyor belts of lignite visible. Natural gas 4.3 GW fills the centre-left as a compact CCGT plant with tall slender exhaust stacks and glowing orange vents. Hard coal 3.2 GW sits adjacent as a smaller coal plant with rectangular boiler houses and a single smokestack. Biomass 3.4 GW appears as a mid-sized facility with cylindrical digesters and a short stack emitting faint vapour, situated centre-right. Hydro 1.0 GW is a small dam structure with spillway lights in the centre foreground near a dark river. The sky is completely dark — a deep black-navy dome with 100% cloud cover obscuring all stars, no moonlight, no twilight glow whatsoever; the only illumination comes from sodium-orange streetlights along a country road in the foreground, the amber and white industrial lighting of the power plants, and faint red aviation warning lights atop every wind turbine nacelle. The atmosphere feels heavy and oppressive, reflecting the high electricity price — low clouds pressing down, steam merging into the overcast ceiling. Vegetation is late-summer green fading to autumn tones, grass slightly damp. Temperature is mild at 12°C with light mist in low areas. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, dramatic chiaroscuro between the inky sky and the glowing industrial facilities, atmospheric depth with layers of receding turbines vanishing into haze, meticulous engineering detail on every cooling tower, turbine blade, and exhaust stack. No text, no labels.