Brown coal 11.6 GW occupies the left third of the scene as a massive complex of hyperbolic cooling towers, each emitting thick pale steam plumes rising into the black sky, with glowing orange-lit conveyor belts feeding lignite into boiler houses; natural gas 10.1 GW fills the centre-left as a row of compact CCGT power stations with tall single exhaust stacks, each topped with small heat-shimmer plumes, their turbine halls illuminated by sodium-yellow industrial floodlights; hard coal 5.9 GW appears centre-right as a pair of smaller conventional coal plants with rectangular stacks and coal bunkers lit by harsh white security lighting; biomass 4.1 GW sits to the right as a cluster of cylindrical digesters and smaller stacks with faint warm light spilling from control rooms; offshore wind 2.7 GW appears in the far background right as a distant line of barely turning three-blade turbines, their red aviation warning lights blinking against the darkness over a sliver of black sea; onshore wind 1.6 GW shows as a few nearly motionless turbines on a low ridge, blades barely discernible, red nacelle lights steady; hydro 1.2 GW is suggested by a small dam structure at far right with white water illuminated from below. The sky is completely dark, deep navy-black, with a thin crescent moon barely visible through 20% scattered cloud, stars faintly showing in clear patches. The air feels heavy and oppressive, conveying the 225 EUR/MWh price tension — a brooding industrial atmosphere. Autumn vegetation is muted, dark, leaves just beginning to turn. The foreground is a plowed field reflecting faint industrial glow. Everything rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painting — rich impasto brushwork, dramatic chiaroscuro between the deep night sky and the sodium-lit industrial facilities, atmospheric depth with haze and steam catching artificial light, meticulous engineering detail on every cooling tower, turbine nacelle, and exhaust stack, evoking Caspar David Friedrich meeting industrial sublime. No text, no labels.