Brown coal 11.5 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers emitting thick white-grey steam plumes lit from below by orange sodium lamps; natural gas 9.8 GW fills the centre-left as a row of compact CCGT power blocks with tall single exhaust stacks venting heat shimmer into the night air; hard coal 5.9 GW appears centre-right as a heavy industrial complex with conveyor belts and squat chimneys glowing dull red; biomass 3.8 GW is rendered as a smaller wood-chip-fired plant with a modest stack and warm amber-lit loading bay in the right-centre; wind offshore 4.1 GW appears as a distant line of faintly blinking red aviation lights on turbine nacelles along the far-right horizon suggesting the North Sea coast; wind onshore 2.8 GW is a handful of three-blade turbines on a low ridge, rotors barely turning, each marked by a slow red beacon; hydro 1.1 GW is a small dam structure with water glinting under a floodlight at the far right edge. The sky is completely dark, deep navy-black, no twilight or sky glow, with scattered stars visible through 33% partial cloud cover — thin alto-stratus wisps drifting across Orion. The season is early autumn: trees along a river in the mid-ground show the first hints of yellowing leaves caught by industrial floodlights, grass still green but dew-heavy. The atmosphere is heavy and oppressive, suggesting the high electricity price — a faint industrial haze hangs over the thermal plants, diffusing their sodium-orange lighting into halos. The overall composition is a panoramic industrial landscape at night, rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape art — rich impasto brushwork, dramatic chiaroscuro between the blackness of the sky and the fiery glow of the power stations, atmospheric depth receding into misty distance, meticulous engineering detail on every cooling tower, turbine nacelle, lattice mast, and exhaust stack. No text, no labels.