Brown coal 12.2 GW dominates the left third of the scene as a massive lignite power station complex with four hyperbolic cooling towers emitting thick white-grey steam plumes rising into the heavy sky; natural gas 8.7 GW fills the centre-left as two modern CCGT plants with tall slender exhaust stacks and faintly glowing turbine halls; hard coal 5.2 GW appears centre-right as a single large coal-fired station with a rectangular boiler house, conveyor belts, and a tall chimney trailing darker smoke; wind onshore 5.6 GW occupies the right background as a cluster of modern three-blade turbines on lattice towers on rolling hills, blades turning very slowly in near-calm air; wind offshore 4.6 GW is suggested by distant turbines barely visible on a grey horizon line above a sliver of cold sea at far right; biomass 3.7 GW appears as a compact wood-fired CHP plant with a modest stack and stored timber piles in the right foreground; hydro 1.1 GW is a small run-of-river station with a weir visible along a dark river in the lower foreground. The time is early dawn at 06:00 in September — the sky is deep blue-grey with the faintest pale pre-dawn glow along the eastern horizon, no direct sunlight, no sun disc visible; 88% cloud cover renders the sky as a thick unbroken overcast pressing down oppressively. Temperature is 6.1°C: early autumn vegetation with some yellowing leaves on birch and linden trees, frost-tinged grass, breath-like mist near the river. The atmosphere is heavy and oppressive reflecting the 202.8 EUR/MWh price — a brooding, weighty sky bearing down on the industrial landscape. Sodium streetlights cast amber pools along an access road. No solar panels visible anywhere. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich dark tones, visible impasto brushwork, atmospheric depth receding into misty industrial haze, meticulous engineering detail on every turbine nacelle, cooling tower, and smokestack, evoking Caspar David Friedrich's sublime dread merged with industrial realism. No text, no labels.