Brown coal 12.2 GW dominates the left third of the composition as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into a uniformly overcast sky; natural gas 9.4 GW fills the centre-left as a row of modern CCGT plants with slim exhaust stacks and thinner, hotter plumes; solar 10.7 GW appears in the centre as a vast field of aluminium-framed crystalline silicon PV panels stretching across flat terrain, their surfaces dull and matte under the grey diffuse light, no sun visible; hard coal 5.2 GW occupies the centre-right as a blocky power station with a tall chimney and coal conveyor belts; wind onshore 6.0 GW appears in the right background as a line of three-blade turbines on lattice and tubular towers turning slowly in light breeze; wind offshore 4.4 GW is suggested by distant turbines on a grey North Sea horizon visible through a gap in the landscape; biomass 4.1 GW appears as a wood-clad biomass plant with a modest smokestack near the right foreground; hydro 1.1 GW is a small concrete dam with water spilling, tucked into rolling hills at far right. Time of day is 08:00 full daylight but entirely overcast — flat, grey, heavy cloud ceiling at low altitude creating an oppressive, leaden atmosphere reflecting the high electricity price. Temperature near 6°C: vegetation is early-autumn muted greens and yellows, dew on grass, breath-visible cold. The landscape is flat northern German plain transitioning to gentle hills. High-voltage transmission pylons cross the middle ground carrying thick cable bundles, symbolising import flows. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich's atmospheric depth combined with Adolph Menzel's industrial precision — rich muted earth tones, visible confident brushwork, dramatic chiaroscuro within the grey light, meticulous engineering detail on every turbine nacelle, every cooling tower's parabolic curve, every panel's cell pattern. No text, no labels.