Brown coal 12.2 GW dominates the left third of the scene as a massive cluster of hyperbolic cooling towers with thick white steam plumes rising into the black sky; natural gas 8.1 GW fills the centre-left as a row of compact CCGT power blocks with tall single exhaust stacks emitting thin heat haze; hard coal 4.9 GW appears centre-right as a gritty coal-fired station with a large smokestack and conveyor belts carrying fuel; biomass 4.0 GW is rendered as a mid-sized industrial plant with a timber-clad fuel silo and modest chimney glowing warmly; onshore wind 3.0 GW occupies the far right as a small group of three-blade turbines on lattice towers turning very slowly in faint breeze; hydro 1.0 GW appears as a small concrete dam with spillway barely visible in the distance; offshore wind 0.6 GW is a faint silhouette of a few turbines on the far-right horizon over dark water. The sky is completely black with no twilight, no glow on the horizon — deep midnight darkness, only sodium-orange streetlights lining an access road and the amber glow from industrial windows illuminating plumes of steam from below. The atmosphere is heavy, oppressive, slightly hazy — reflecting the high electricity price. Mild September vegetation: grass still green but with the first hints of autumn in the tree canopy at the edges. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, dark palette dominated by deep navy, umber, and burnt orange — visible impasto brushwork, atmospheric depth, chiaroscuro contrast between glowing industrial facilities and the vast dark sky. Meticulous engineering detail on each facility: riveted steel, concrete hyperbolic curves, nacelle housings, three-blade rotors. No text, no labels.