Solar 17.7 GW dominates the right third of the scene as vast fields of aluminium-framed crystalline silicon photovoltaic panels stretching across gentle rolling farmland, their surfaces catching diffused afternoon light through broken clouds. Wind onshore 12.5 GW fills the centre-right as dozens of tall three-blade turbines on lattice and tubular towers, rotors turning slowly in moderate breeze, scattered across green late-summer fields. Wind offshore 3.3 GW appears on the far right horizon as a distant cluster of turbines rising from a hazy suggestion of the North Sea. Brown coal 8.3 GW occupies the left quarter as a massive lignite power station complex with three hyperbolic cooling towers emitting thick white steam plumes, conveyor belts feeding dark brown fuel from open pits. Hard coal 4.6 GW sits centre-left as a pair of tall rectangular boiler houses with large chimneys trailing thinner grey exhaust. Natural gas 3.0 GW appears as a compact modern CCGT plant with a single silver exhaust stack and heat recovery unit, positioned between the coal plants. Biomass 3.7 GW is rendered as a mid-sized industrial facility with a rounded silo and wood-chip storage yard, a modest plume rising from its stack. Hydro 1.0 GW appears as a small run-of-river weir with a powerhouse nestled along a tree-lined river in the middle distance. The sky is 68% covered by layered cumulus and altostratus clouds in warm grey and cream tones, with patches of blue sky allowing shafts of golden late-afternoon sunlight (16:00 Berlin time) to angle across the landscape at roughly 30 degrees elevation, casting long shadows. The atmosphere feels heavy and slightly oppressive, reflecting the high electricity price — a subtle amber-ochre haze hangs over the industrial zone. Vegetation is lush but beginning to show the faintest hints of early autumn yellowing at leaf edges, consistent with late September at 19.9°C. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters such as Caspar David Friedrich and Carl Blechen — rich, saturated colour palette of ochres, umber, viridian and Prussian blue, visible confident brushwork, atmospheric aerial perspective with depth receding into hazy distance, dramatic interplay of industrial sublimity and natural beauty. Meticulous engineering detail on all technology: correct nacelle shapes, three-blade rotor geometry, hyperbolic cooling tower curvature, PV panel grid patterns. No text, no labels, no people prominent in the foreground.