Solar 37.3 GW dominates the right two-thirds of the scene as vast fields of aluminium-framed crystalline silicon PV panels stretching across gently rolling farmland under heavy, uniform grey overcast — no sun visible, flat diffuse light; brown coal 10.6 GW occupies the left background as a cluster of massive hyperbolic cooling towers emitting thick white steam plumes that merge into the low cloud ceiling; natural gas 7.1 GW appears centre-left as a modern CCGT plant with paired exhaust stacks trailing thin grey exhaust; hard coal 3.7 GW sits behind the gas plant as a smaller conventional power station with a single tall chimney and coal conveyor; biomass 3.9 GW is rendered as a modest wood-clad industrial building with a short stack and wispy smoke near the centre; hydro 0.9 GW appears as a small concrete dam and penstock on a wooded hillside in the far distance; wind onshore 0.7 GW and offshore 0.9 GW are represented by just two or three widely spaced three-blade turbines on lattice towers at the far right horizon, their rotors nearly motionless. The time is 10:00 AM in late September — full daylight but completely overcast, casting flat shadowless illumination across the landscape. Temperature is a cool 6.4°C; vegetation shows early autumn colours — yellowing birches, browning grasses, bare patches in harvested fields. The atmosphere feels heavy and oppressive, echoing the high electricity price: low grey clouds press down on the industrial skyline, the air is thick and still. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painting — rich layered colour, visible impasto brushwork, atmospheric perspective with hazy depth, meticulous engineering accuracy on every turbine nacelle, panel frame, cooling tower curvature, and exhaust stack. No text, no labels.