Solar 34.1 GW dominates the right two-thirds of the scene as vast fields of aluminium-framed crystalline silicon PV panels stretching across rolling farmland, glinting sharply under a nearly cloudless sky; brown coal 8.7 GW occupies the left background as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising vertically in the still air; biomass 4.3 GW appears as a mid-ground wood-chip-fed power station with a squat industrial chimney and biomass storage dome; natural gas 3.6 GW is rendered as a compact CCGT plant with tall single exhaust stacks and thin heat shimmer; wind onshore 2.2 GW shows a small row of three-blade turbines on a distant ridge, rotors turning slowly; hard coal 2.1 GW appears as a coal plant with conveyor belts and a tall stack beside a coal yard; hydro 1.1 GW is a small run-of-river weir with turbine house at a river crossing the foreground; wind offshore 0.8 GW is barely visible as tiny turbines on the far horizon. Time is 10:00 AM in late September: full bright daylight, sun moderately high in the southeast, long but not extreme shadows, sky nearly clear with only faint wisps of cloud. Vegetation shows early autumn tones — green fields tinged with gold and amber at the edges, scattered deciduous trees beginning to turn. Temperature is cool, 11.5°C, so there is a faint crispness to the atmosphere and a slight morning mist lingering in a river valley. Despite the bright sun, the atmosphere feels subtly heavy and oppressive — a warm amber-golden haze pressing down, reflecting the 112 EUR/MWh price tension. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich saturated colour, visible impasto brushwork, dramatic atmospheric depth, luminous sky, and meticulous engineering accuracy in every turbine nacelle, panel frame, cooling tower curve, and exhaust stack. No text, no labels.