Brown coal 10.7 GW dominates the left third of the scene as a massive lignite power complex with four hyperbolic cooling towers emitting thick white-grey steam plumes that merge with the overcast sky; natural gas 8.0 GW occupies the left-centre as two modern CCGT plants with tall slim exhaust stacks and visible heat shimmer; wind onshore 10.9 GW spans the right half of the composition as dozens of three-blade turbines on lattice and tubular towers across rolling green-brown autumn hills, blades turning very slowly in the faint 4.5 km/h breeze; wind offshore 3.6 GW appears as a distant cluster of turbines on a grey horizon line suggesting the North Sea; solar 8.9 GW is rendered as expansive fields of aluminium-framed crystalline silicon panels in the mid-ground, their surfaces reflecting only dull grey light with no sun visible; hard coal 3.8 GW sits as a coal-fired station with a single large chimney and conveyor belts at the far left edge; biomass 4.1 GW appears as a wood-chip CHP plant with a modest stack and timber storage yard in the centre-right; hydro 0.9 GW is a small run-of-river weir with a low powerhouse near the foreground river. The sky is a uniform 100% overcast ceiling at 08:00 morning daylight—flat, heavy, dove-grey clouds pressing low with no break or sun disk, casting soft diffuse shadowless light across the entire landscape. The atmosphere feels oppressive and dense, hinting at the high electricity price. Autumn vegetation: fields of stubble, yellowing birch and oak at the edges, dew on grass, temperature around 13°C conveyed by cool blue-grey tones. Painted in the style of a highly detailed 19th-century German Romantic oil painting—rich layered colour, visible impasto brushwork, atmospheric aerial perspective—yet with meticulous engineering accuracy on every turbine nacelle, cooling tower contour, PV cell grid, and smokestack rivet. No text, no labels.