Solar 31.7 GW dominates the foreground and middle ground as vast fields of aluminium-framed crystalline silicon PV panels stretching across gently rolling farmland, their blue-grey surfaces reflecting a uniformly overcast sky; brown coal 9.4 GW occupies the left quarter as a cluster of massive hyperbolic cooling towers emitting thick white steam plumes that merge into the heavy cloud ceiling; wind onshore 7.3 GW appears as a line of tall three-blade turbines with white tubular towers on a ridge in the mid-distance, blades turning slowly in light wind; wind offshore 4.4 GW is suggested by distant turbines barely visible on a grey horizon line; natural gas 6.0 GW is rendered as two compact CCGT power plants with tall slender exhaust stacks and modest heat shimmer, positioned centre-right; hard coal 3.8 GW appears as a single large power station with rectangular cooling towers and a conveyor belt of dark fuel beside a rail siding; biomass 4.0 GW is depicted as a modest wood-clad industrial facility with a single smokestack and stacked timber logs nearby; hydro 1.0 GW appears as a small dam and penstock in a distant valley. Full daytime at 10:00 AM but no direct sunlight — the entire sky is a heavy, oppressive blanket of unbroken stratiform cloud in shades of slate grey and dull silver, casting flat diffuse light with no shadows, creating a brooding atmosphere reflecting the high electricity price. Late September vegetation: fields show early autumn tones, grass still green but with golden-brown edges, scattered deciduous trees beginning to turn amber and rust. Temperature 17.8°C suggested by light mist near the ground. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich impasto brushwork visible in the cloud textures and steam plumes, atmospheric perspective with muted tonal recession toward the horizon, meticulous engineering detail on every turbine nacelle, every PV module frame, every cooling tower's hyperboloid curvature. The mood is grand, contemplative, and slightly oppressive. No text, no labels, no human figures.