Wind onshore 19.2 GW dominates the right two-thirds of the scene as dozens of tall three-blade turbines with white lattice towers receding across rolling dark hills; wind offshore 6.4 GW appears in the far background as a cluster of turbines on a barely visible horizon line above a dark sea; brown coal 9.6 GW occupies the left quarter as three massive hyperbolic cooling towers with thick white steam plumes rising into the night sky, lit from below by orange sodium lamps of an industrial complex; natural gas 3.9 GW sits centre-left as two compact CCGT units with single tall exhaust stacks emitting thin vapour, their metallic housings gleaming under floodlights; hard coal 3.2 GW appears adjacent as a smaller power station with a wide chimney and coal conveyor belt faintly illuminated; biomass 3.7 GW is rendered as a mid-sized plant with a rounded silo and wood-chip yard glowing under yellow industrial lights; hydro 0.8 GW is a small dam structure with water gleaming in the lower foreground. Time is 02:00 — completely dark sky, deep navy-black, no twilight, no sky glow, stars partially visible through 39% cloud cover of thin broken clouds. The air temperature is a mild 13°C early autumn night; vegetation is lush but beginning to turn, dark deciduous trees with hints of yellowing leaves caught in artificial light. Wind speed at ground level is low (3.5 km/h) so foreground grasses are nearly still, but turbine blades high above spin steadily in stronger upper winds, their red aviation warning lights blinking. The atmosphere feels heavy and oppressive — a thick, brooding quality to the air reflecting the high 101.7 EUR/MWh price — with haze gathering around the cooling towers and a sense of industrial weight pressing down on the landscape. Power lines on steel pylons stretch across the middle ground carrying exports beyond the frame. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, saturated colour with deep umbers, warm oranges from artificial light contrasting cold blue-black sky, visible confident brushwork, atmospheric depth and chiaroscuro. Meticulous engineering detail on turbine nacelles, cooling tower concrete texture, CCGT exhaust geometry. The scene evokes Caspar David Friedrich meeting industrial sublime — a masterwork painting of the nocturnal energy landscape. No text, no labels.