Brown coal 12.1 GW dominates the left third of the scene as a vast complex of hyperbolic cooling towers emitting thick white-grey steam plumes into the night sky; natural gas 9.1 GW fills the centre-left as a row of compact CCGT plants with illuminated exhaust stacks venting heat shimmer; hard coal 3.2 GW appears centre-right as a smaller coal-fired station with conveyor belts and a single rectangular cooling tower under sodium floodlights; biomass 4.1 GW is rendered as a cluster of industrial biogas and wood-chip combustion facilities with warm amber-lit buildings and smaller chimneys trailing thin smoke; wind onshore 1.6 GW appears as a handful of distant three-blade turbines on a ridge, barely turning, their red aviation warning lights blinking; wind offshore 1.3 GW is suggested by faint red lights on the far horizon over a dark sea visible at the right edge; hydro 0.9 GW is a small concrete dam structure at the far right with water gleaming under a security lamp. The sky is completely dark, deep navy-black, no twilight, no moon glow — only stars faintly visible through 25% scattered cloud wisps. The atmosphere is heavy and oppressive, haze hanging low around the cooling towers, reflecting the high electricity price. Early autumn setting with dark deciduous trees showing first leaf thinning, grass damp with overnight dew, temperature around 12°C suggested by mist near the ground. Sodium-orange streetlights line a road threading through the industrial landscape. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich chiaroscuro, visible impasto brushwork, dramatic atmospheric depth — but with meticulous engineering accuracy in every turbine nacelle, lattice tower, cooling tower parabolic profile, and CCGT exhaust stack. No text, no labels.