Brown coal 11.8 GW dominates the left third of the scene as a massive lignite power station complex with four hyperbolic cooling towers billowing thick white-grey steam plumes into the black sky, lit from below by amber sodium floodlights; natural gas 7.9 GW occupies the centre-left as a row of compact CCGT units with tall single exhaust stacks emitting thin heat shimmer, their steel structures gleaming under harsh industrial lighting; hard coal 3.2 GW appears centre-right as a smaller coal-fired plant with a single large smokestack and visible coal conveyors, warmly lit; biomass 3.9 GW is rendered as a cluster of mid-sized biomass CHP plants with wood-chip storage domes and modest chimneys, positioned right of centre with interior glow visible through windows; hydro 0.8 GW appears as a small illuminated dam and powerhouse in the far right background beside a dark river; wind onshore 0.9 GW is depicted as two or three wind turbines on a distant ridge, their rotors completely still, red aircraft warning lights blinking faintly; wind offshore 0.5 GW suggested by a single distant offshore turbine silhouette on a dark horizon line. The sky is completely black and starless with 100% overcast cloud cover pressing low, oppressive and heavy, reflecting a dull orange-brown industrial glow from below. The season is early October — sparse brown leaves cling to dark deciduous trees in the foreground, damp grass glistens under artificial light. The atmosphere is dense, humid, and oppressive, conveying the high electricity price. No sunlight, no twilight, no sky glow — pure nighttime. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich, dark palette of umber, ochre, deep navy, and burnt sienna, with visible impasto brushwork, atmospheric chiaroscuro depth, and meticulous engineering detail on every turbine nacelle, cooling tower hyperbolic curve, and exhaust stack. Industrial sublime. No text, no labels.