Brown coal 12.3 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the overcast sky, their concrete shells precisely rendered with vertical ribs and condensation streaks; natural gas 6.6 GW occupies the centre-left as two compact CCGT plants with tall slender exhaust stacks emitting thin heat shimmer; wind onshore 7.2 GW spans the centre-right as a line of modern three-blade turbines on lattice-and-tubular towers along a dark ridgeline, rotors turning in moderate wind; wind offshore 1.3 GW appears as a distant cluster of smaller turbines on the far horizon; hard coal 4.0 GW sits behind the brown coal complex as a traditional coal plant with a tall brick chimney and conveyor belt infrastructure; biomass 4.1 GW is rendered as a modest wood-chip power station with a rounded silo and single stack on the right edge; hydro 0.8 GW appears as a small dam spillway in the far right background valley. Time is 06:00 in October: the sky is deep blue-grey pre-dawn, no direct sun visible, the very first pale luminance on the eastern horizon barely distinguishing land from sky. Temperature is 6°C: autumn vegetation is muted brown and dull green, bare-branched trees, frost-touched grass. Cloud cover is 96%: the entire sky is a heavy oppressive blanket of low stratus, pressing down on the landscape, reinforcing the sense of expensive, strained supply. Sodium-orange industrial lights glow at the bases of the cooling towers and along the gas plant perimeter fences. A few lit windows in a distant village. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — rich impasto brushwork, deep atmospheric perspective, moody chiaroscuro, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.