Wind onshore 15.4 GW dominates the right two-thirds of the scene as dozens of tall three-blade turbines with white tubular towers and detailed nacelles, rotors spinning briskly in moderate wind, arrayed across rolling green summer hills; wind offshore 5.7 GW appears as a distant cluster of larger turbines on the far-right horizon over a dark body of water; brown coal 3.3 GW occupies the left foreground as two massive hyperbolic cooling towers emitting thick steam plumes lit from below by sodium-orange industrial lighting; natural gas 3.6 GW sits left of centre as a compact CCGT facility with a single tall exhaust stack and a thin heat shimmer, lit by white floodlights; hard coal 1.0 GW appears as a smaller single-stack plant beside the brown coal station with a conveyor belt visible; biomass 4.3 GW is rendered as a medium-sized wood-chip power station with a rounded silo and short chimney in the centre-left middle ground, warm light glowing from its windows; hydro 1.4 GW is suggested by a small dam structure with spillway gleaming faintly in the lower-left corner. The sky is completely dark, a deep navy-black with full 100% cloud cover — no stars, no moon, no twilight glow — only the sodium-orange and white artificial lights of the industrial facilities casting pools of warm illumination on the surrounding landscape. The atmosphere feels heavy, humid, and oppressive, with low clouds absorbing the upward glow of the power stations. Summer vegetation is lush and green where illuminated. High-voltage transmission pylons with sagging cables cross the mid-ground, symbolising the heavy import flows. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, deep chiaroscuro contrasts between the black sky and glowing industrial fires, atmospheric depth with haze softening distant turbines, meticulous engineering accuracy on every turbine blade, cooling tower curve, and exhaust stack. No text, no labels.